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Post by Uncle Entity on May 6, 2003 14:14:31 GMT -5
No one said it would have been an easy ride. It will take one year and half, but this place will be filled with Mad Maxians. Granted.
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Post by Uncle Entity on May 4, 2003 14:55:27 GMT -5
Everywhere... no where... you're DARKMAN!
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Post by Uncle Entity on May 4, 2003 14:55:27 GMT -5
Everywhere... no where... you're DARKMAN!
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Post by Uncle Entity on Apr 24, 2003 15:32:26 GMT -5
I meant "The ODISSEY" (Ulysses' poem).
As always, Gigolo sounds dumber than Johnny The Boy.
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Post by Uncle Entity on Apr 24, 2003 15:32:26 GMT -5
I meant "The ODISSEY" (Ulysses' poem).
As always, Gigolo sounds dumber than Johnny The Boy.
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Post by Uncle Entity on Apr 24, 2003 15:25:49 GMT -5
What is a "smoochin'" anyway? It's one of the worst-sounding english word ever heard!
Hey, Gigolo, do you like Odissey?
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Post by Uncle Entity on Apr 24, 2003 15:25:49 GMT -5
What is a "smoochin'" anyway? It's one of the worst-sounding english word ever heard!
Hey, Gigolo, do you like Odissey?
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Post by Uncle Entity on Apr 24, 2003 14:57:57 GMT -5
That's a disguised MAD MAX thread. I always felt Max as post-apocalyptic, post-modern, futuristic counterpart of ULYSSES. Thanks, TBOT, for this new direction. I always loved the ODYSSEY. I think it's the only epic poem masterpiece - beyond the MAD MAX SAGA - I can relate to. I always felt Max as a desolate, ingenuous Ulysses searching for an "home" (Itaca). Unfortunately, there will be no Pennelope... or not? Maybe Jesse is still alive somewhere, and that would be the greatest "FURY ROAD" surprise, isn't? Ulysses and Max rule!
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Post by Uncle Entity on Apr 24, 2003 14:57:57 GMT -5
That's a disguised MAD MAX thread. I always felt Max as post-apocalyptic, post-modern, futuristic counterpart of ULYSSES. Thanks, TBOT, for this new direction. I always loved the ODYSSEY. I think it's the only epic poem masterpiece - beyond the MAD MAX SAGA - I can relate to. I always felt Max as a desolate, ingenuous Ulysses searching for an "home" (Itaca). Unfortunately, there will be no Pennelope... or not? Maybe Jesse is still alive somewhere, and that would be the greatest "FURY ROAD" surprise, isn't? Ulysses and Max rule!
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Post by Uncle Entity on Apr 24, 2003 10:57:17 GMT -5
Mad Maxians,
Audrey, the webmaster of the well-famed "WEZSITE" is going to write a cool comparison/fan fiction story/essay featuring WEZ and IRONBAR BASSEY. Our hero desperately needs PICS of IRONBAR BASSEY... possibly stolen from a DVD copy of MAD MAX BEYOND THUNDERDOME --- you know, they call them "movie stills". Can you help me? Send the pics to:
Uncle.Entity@jumpy.it
Thanks !!!!!!!!!!!!!!!!!!!!!
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Post by Uncle Entity on Apr 24, 2003 10:57:17 GMT -5
Mad Maxians,
Audrey, the webmaster of the well-famed "WEZSITE" is going to write a cool comparison/fan fiction story/essay featuring WEZ and IRONBAR BASSEY. Our hero desperately needs PICS of IRONBAR BASSEY... possibly stolen from a DVD copy of MAD MAX BEYOND THUNDERDOME --- you know, they call them "movie stills". Can you help me? Send the pics to:
Uncle.Entity@jumpy.it
Thanks !!!!!!!!!!!!!!!!!!!!!
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Post by Uncle Entity on Apr 27, 2003 17:58:58 GMT -5
Thanks, people... Thank you very much. I just love the whole "Ruffian Hero" theory so much Any other smart observations here?
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Post by Uncle Entity on Apr 27, 2003 17:58:58 GMT -5
Thanks, people... Thank you very much. I just love the whole "Ruffian Hero" theory so much Any other smart observations here?
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Post by Uncle Entity on Apr 22, 2003 17:32:47 GMT -5
Think to Thunderdome's end.
Max wasn't the only one to re-approach to his human, forgotten side. EVERY individual and collective "entity" showed in the movie's first part (Bartertown) and second part (Crack) lived a transformation, an humanizing process in the fast-paced, epic and visionary third part.
Max changed. He became an hero, finally. The hero Fifi wanted.
Aunty changed. She saved Max in the end... she knew he was right.
Savannah and the kids matured, after Gekko and Finn McKoo's deaths.
Crack In The Earth wasn't "driven" by false idols anymore.
Master changed. Look at him in the end, when he "saluted" Max. He's now more human than the ego-maniac Lord he was before.
Pig-Killer became free. Wounded to death, but FREE.
Ironbar Bassey - as prototype of all the post-apocalyptic barbarians - just went "outsmarted" by the new future (Max and Company) and eventually found death. The Road Warrior era died with him, definitely.
Bartertown was no longer a viable hell. Underworld was been destroyed. It was the end for THAT vision.
HOME was born. The future.
In the end, everything came to full circle.
This is genius!
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Post by Uncle Entity on Apr 22, 2003 17:32:47 GMT -5
Think to Thunderdome's end.
Max wasn't the only one to re-approach to his human, forgotten side. EVERY individual and collective "entity" showed in the movie's first part (Bartertown) and second part (Crack) lived a transformation, an humanizing process in the fast-paced, epic and visionary third part.
Max changed. He became an hero, finally. The hero Fifi wanted.
Aunty changed. She saved Max in the end... she knew he was right.
Savannah and the kids matured, after Gekko and Finn McKoo's deaths.
Crack In The Earth wasn't "driven" by false idols anymore.
Master changed. Look at him in the end, when he "saluted" Max. He's now more human than the ego-maniac Lord he was before.
Pig-Killer became free. Wounded to death, but FREE.
Ironbar Bassey - as prototype of all the post-apocalyptic barbarians - just went "outsmarted" by the new future (Max and Company) and eventually found death. The Road Warrior era died with him, definitely.
Bartertown was no longer a viable hell. Underworld was been destroyed. It was the end for THAT vision.
HOME was born. The future.
In the end, everything came to full circle.
This is genius!
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